Radial Script. Radio scripts can be dramatized, very complex, complex, less complex and / or technical, depending on the intention of their producer. The former constitute a separate group, while the others are inherent in the other four major groups of radio programs: dramatized, varied, musical, and informative.
Dramatized scripts are generally not used on local radio stations because they do not have a dramatic body, essential for this type of script.
Summary
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- 1 Dramatized script
- 2 Very complex script
- 3 Complex script
- 4 Less complex script
- 5 Technical script
- 6 See also
- 7 References
- 8 Source
Dramatized script
They constitute a superior category because they are a composition of texts with conversational, narrative and descriptive language of actions written for the radio medium, which includes characters and conflicts. It expresses in the content the aesthetic approach of the play through characters and their psychology, a dramatic structure, dialogues and situations, among other elements, to be interpreted by actors. It may or may not include narrators and they may be radio originals, or adaptations and versions of literature or other broadcast media. It requires a description of environments or sound scenarios that are recreated through words, music and sounds. They classify as staged in any of its formats: unit, serial, serial, narration with dramatizations and / or monologues and docudramas.[one]
Very complex script
Addresses a given topic based on research done by the writer to create a text in a narrative, explanatory and descriptive way coherently from beginning to end. Its main characteristic is that it inserts monologues, simple dialogues or partial dramatizations, or complete, certain journalistic genres and the intervention of specialists programmed by the screenwriter. It can incorporate specialized criticism, it incorporates all the sound orders and the dimensions and indications for those who interpret it. It should be conversational to establish a dialogue or colloquy with the listener and with other announcers or actors.
Complex script
Addresses a given topic based on research by the writer. Contains narrative and descriptive texts with consistency from start to finish. Does not include dramatizations. It establishes a formal and content sequence with the expression of technical – artistic elements of the radial medium. It is also created conversationally based on colloquial language and dialogues with the listener and other speakers. Wedges, radio jokes can be used, as long as they are made by another creator. Accept some musical numbers that support the theme and without breaking the dramaturgy in question.
Less complex script
Relates the ordering of content and technical – artistic elements within a space. Writes parliaments and actions of the driver (s) and does not require complex technical elaboration. The script can be created by ideas that the writer takes from bibliographic sources and adapts them to the radio medium. It is written conversationally based on colloquial language and dialogues with the listener and other speakers.
Technical script
It is the logical ordering of the structure of the radio program. It establishes the order, level and role of the technical – artistic and content factors that concur in the realization. Fix the presence and existence of each aspect in support of the idea or theme that develops the program. It is not remunerable since it is part of the content of the director. The television script has always been one of the most controversial topics when undertaking an analysis of television production, but it is undoubtedly the basis for the productive organization of work.
Certainly the rigor and freedom of the script have also evolved quite a bit from the consequent transformation of technology and – as in a good chain writing – from the artistic and informative form of creation.
