Ancient history of Ajanta caves in Maharashtra

Ajanta Caves – Ajanta Caves   Maharashtra’s Ajanta Caves have rich historical significance in India’s history. The Ajanta Ellora caves were the major Buddhist monuments of the second century. There are many examples of Buddhist architecture. In some paintings and crafts, you can also find living illustrations. The Ajanta and Ellora caves are in Aurangabad, Maharashtra . In 1983, UNESCO declared it as a World Heritage Site.

You will also find many Buddhist religious arts and scriptures in Ajanta Ellora caves. Over time, these caves grew to influence modern Indian art. It took two stages to build these caves. The first phase of building Ellora caves began in the 2nd century BC and the second phrase began during the period 460–480 CE. Many Chinese Buddhist travelers have mentioned Ajanta and Ellora paintings in their texts. These were Chinese travelers who traveled to India during the period of Akbar in the 17th century.

Ajanta and Ellora Caves

Ajanta merged with Ellora Caves. Ellora Cave is one of the major attractions for tourists in Maharashtra. The same style of Ajanta is also available in other parts such as Ellora caves, Aurangabad caves, Sivelani caves and Elephanta caves. In some caves in Maharashtra, a similar style came into existence. You can also get Ajanta Express train services from here .

Ajanta painting talks about Jataka Tales. The Jataka tales are Buddhist legends related to the birth of Buddha. All these temples also contain ancient morals and cultural ends. Some stories and tales are also available in Hindu and Jain texts. These also depict the sacrifices Buddha made and his avatars. Various life examples of Buddha are also available in the stories.

Ajanta Cave Paintings

Ajanta Ellora cave paintings have graffiti paintings. These paintings have survived from the early and later periods as well. Various pieces of caves speak of fragmented sculptures that are unique. These pieces also talk about the Satavahana period.

The other four caves have preserved frescoes that prominently represent Indian culture. Caves 16 and 17 are available in caves 1 and 2. Some paintings are also examples of ‘dry fresco’ for dry plaster. According to the literary texts, you will come to know about the Gupta period.

by Abdullah Sam
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